- It was hard not to notice the contrast of the two men sitting on the beach- one wearing black, the other white....good/bad? We've seen the black/white/good/evil theme play out for a while, so this was no surprise. It also seems to me that the theme flows through hair color of oppositional forces on the island- Jack vs. Sawyer, Jack vs. Locke, Ben vs. Widmore....and now these two gentlemen who have apparently been the puppet masters all along. Big game of chess/backgammon?
- But what is it that Jacob wants to happen? He clearly has a history of wanting people to come to the islands, and speaks of progress...towards what? The Black Rock clearly failed because he began recruiting our Losties a long time ago. Is this a test of human nature?
- I just re-watched the first scenes of the episode over and it seemed really biblical in nature God vs. satan, good vs evil. Jacob is clearly bringing people to the island, and expects a different outcome than has been seen before. The dude in black (fallen angel?) says all they do is come, fight, corrupt, etc...and that it all ends the same. Jacob says "it only ends once and what happens before that is just progress."
- This seems like a war for the souls of humans. The dude in black assumes the darkness of mankind will prevail, and Jacob seems to bring certain people to the island who he believes will prove the dude in black wrong. It's like his own personal army. But, they all have free will. Jacob doesn't interfere. Very strong religious themes here.
- Much like the God/Satan battle, Satan wants to kill God, but can't. Apparently the island has a rule against that....but he is determined to find a loophole.
- Why does the island have rules against the two main people (good v. evil) killing each other? Ben and Widmore had the same discussion. Did they believe they'd taken over leadership of the island after Jacob disappeared? Who will be next? Jack vs. Locke, Jack vs. Sawyer?
- I still don't get what "Frank might be a candidate" means.
- What is it about the Losties that Jacob likes? Why does he recruit those people specifically? Why does he always give each of them something (Kate- red lunchbox, Saywer- pen, Jack- Apollo bar, Hurley- guitar case, Locke- life, Jin/Sun- his blessing). Is he picking pieces for his giant chess game (again, black vs. white theme?)
- Although, he didn't give anything to Sayid or Ilana now that I think about it...what makes them different? Ilana obviously has a past with Jacob....but what about Sayid?
- Why was Ilana all bandaged up? What is her condition and why hasn't she had any visitors?
- Juliet was never visited by Jacob. Is she not special?
- What about the other island Losties- Bernard, Michael, Walt, Rose, Anna Lucia, Boone, Eko...were they all just pawns?
- Pretty sure this went though everyone's minds- Juliet, make up your damn mind, girl!!!
- How can Richard be present in two timelines?
- Locke: "I'm not going to kill him- you are." Ben turns out to be the ultimate pawn.
- I guess we can absolve Ben from the assumed crime of killing Nadia- looks like Jacob orchestrated that. Makes sense...Sayid never would have left her.
- Now we know why Richard doesn't age- it was a gift from Jacob- who also doesn't age.
- I did have a "Poor Ben" feeling in this episode. All he's done his whole life is try to follow his island destiny. He followed every order, and in the end all Jacob has to say to the man who will likely kill him is "What about you?" Harsh!
- When Richard knocked out Eloise he said he was protecting their leader. Who was the black to her white then? How did she lose her throne as leader?
- I thought the Bernard/Rose/Vincent cameos were kind of lame except for Rose mocking them about it being 3 years later and they're still running around after some drama!
- Jacob hadn't been in his cabin for a long time? What's the deal with the ash? Is that so the other dude can't cross into his house? Random...
- Why burn down the cabin? It's just a cabin...not like it's inviting something bad to reside there. Seems like an overreaction to me.
- If Jacob is so powerful, why did he ask Locke to help him way back in the cabin when Ben took Locke to see Jacob. Why did Jacob need Locke's help?
- Ben: "I lie. That's what I do." Nice!
- What lies in the shadow of the statue? Apparently Jacob's home...
- I loved Miles asking everyone if they'd thought through the fact that Jack could actually be creating the circumstances that brought the plane down in the first place. He's one of my favorite underutilized characters.
- The Juliet/Sawyer interaction was absolutely heartbreaking. Poor Sawyer. It's okay, buddy, I'm here for you!
- Eric and I totally predicted that Locke's body would be in the big metal box, but it didn't occur to me that he was being "possessed" by the dude in black to use his loophole.
- So, it seems the Christian we've been seeing all along was really the dude in black messing with people by taking corpses to play with. Sick.
- I'm also betting the dude in black possessed Alex, who convinced Ben to follow everything that "Locke" told her. Another pawn...but the dude in black only has dark pawns...dead ones...
- Why did possessed Locke look freaked out when Jacob said "They're coming..." Who is coming?
- Did anyone notice that at the end of the episode, when the word LOST popped up, the letters were black and the background was white....which is the reverse of the way it's been for 5 seasons. That is definitely significant. Is this the beginning of the opposites next season? It certainly signals a change!
Gradually, Sobek also came to symbolize the produce of the Nile and the fertility that it brought to the land; its status thus became more ambiguous.[2] Sometimes the ferocity of a crocodile was seen in a positive light, Sobek in these circumstances was considered the army's patron, as a representation of strength and power.
Sobek's ambiguous nature led some Egyptians to believe that he was a repairer of evil that had been done, rather than a force for good in itself, for example, going to Duat to restore damage done to the dead as a result of their form of death. He was also said to call on suitable gods and goddesses required for protecting people in situation, effectively having a more distant role, nudging things along, rather than taking an active part. In this way, he was seen as a more primal god, eventually becoming regarded as an avatar of the primal god Amun, who at that time was considered the chief god. When his identity finally merged, Amun had become merged himself with Ra to become Amun-Ra, so Sobek, as an avatar of Amun-Ra, was known as Sobek-Ra.
In Egyptian Art, Sobek was depicted as an ordinary crocodile, or as a man with the head of a crocodile. When considered a patron of the pharaoh's army, he was shown with the symbol of royal authority - the uraeus. He was also shown with an ankh, representing his ability to undo evil and so cure ills. Once he had become Sobek-Ra, he was also shown with a sun-disc over his head, as Ra was a sun god.
In myths that appear extremely late in Egyptian history, Sobek is credited with catching the four sons of Horus in a net, as they emerged from the waters of the Nile in a lotus blossom. This motif derives from the birth of Ra in the Ogdoad cosmogony, and the fact that as a crocodile, Sobek is the best suited to collecting items upon the Nile.

